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Daten erfasst von: Jazztime
Emmett Berry
Nationalität: US
Instrumente: tp
He's there in the classic "Great Day in Harlem" photograph, but it would have been hard to take many photos of happening jazz bands or Harlem scenes from the '30s and '40s without Emmett Berry's smiling face. Not that he would be smiling, actually he would probably be too busy playing trumpet. Jazz fans have enjoyed this blowing, sometimes without knowing his name. There is no doubt about the former assertion, since Berry was both a key member of the Count Basie and Fletcher Henderson big bands, as well as one of the prize sidemen and horn soloists assembled to record singer Bille Holiday's most enduring sides. Berry came to New York City from Georgia when he was 18, and within a year was playing in the Henderson band. Not bad for a southern boy in the big city, since this was one of the most popular groups of that jazz-crazy period. The assignment of replacing Roy Eldridge must have been daunting but perhaps also natural since all the trumpet players of that era were finding their own voice through close examination of the Eldridge style, if not simply engaging in outright mimicry of the man. Berry hung with the Henderson band for three years, then changed Hendersons, joining a rival band led by brother, Horace Henderson. As the '40s began, the trumpeter was beginning to keep company of great status in the jazz world. He played with a Teddy Wilson sextet, the rowdy Lionel Hampton band, the complex composer and saxophonist Benny Carter, and even with the master himself as a member of Roy Eldridge's Little Jazz Trumpet Ensemble. In the mid-'40s, the call came from Basie, beginning ten years spent almost completely on that band's bus. As the rock & roll era dawned, Berry continued gigging with stellar veterans of the jazz days, including swaggering singer Jimmy Rushing, scintillating saxophonist Johnny Hodges, burbling brass bubbah Cootie Williams, and boogie-woogie boogieman Sammy Price. Berry recording extensively in the '50s, as he had in the first two decades of his career, creating a discography that is as lengthy as a prima donna's backstage catering list. A relocation to Los Angeles, supposedly based on a desire to kick back, led to further work on the road with classic players such as Peanuts Hucko and Wilbur de Paris. There was never a shortage of bandleaders wanting to hire Berry, and one reason was that he was an excellent soloist, particularly in the short form. One of the great elements of the aforementioned Holiday recordings, of course, are the solo features by the likes of Berry, Lester Young, Buck Clayton, and others, seasoning the songs like genius chefs with unlimited spice racks. Berry also led bands from time to time. Records under his own name include the Emmett Berry Five 1944 release with tenor honker Don Byas, later reissued on a Savoy album. The Mainstream compilation entitled Mainstream of the Blues: 1959-65, an item that sometimes shows its scratched-up face in used record piles, features the Emmett Berry Sextet as well as other cooking bands led by Buster Bailey, Snub Mosley, Buddy Tate, and Booty Wood. Berry retired to Cleveland in 1970, remaining a strong influence on trumpeters, even modern players such as Bill Dixon.
Bilder mit "Emmett Berry":
         
Emmett Berry & Buck Clayton — 1961
Basel
 Emmett Berry & Buck Clayton — 1961
Basel
Alben auf denen "Emmett Berry" mitwirkt:
Album erhältlich
 Album-Bezeichnung
Label Label-Nummer Recording  
 7th Ave. Stompers  —  Fidgety FeetSavoyWL 705091958LP
 7th Ave. Stompers  —  Fidgety FeetSavoy JazzSJL 11391958LP
 Al Sears And His OrchestraVogue0741951LP
 Andy Gibson Orch./Harold Baker SextetRCA2121832 21959CD
 Benny Carter  —  The Fabulous Benny Carter BandAudio LabAL 1505 LP
 Benny Carter & His Orchestra  —  1940 - 1941RCA Victor741.0731940 - 1941LP
 Benny Carter & His Orchestra  —  1940 - 1941RCA Victor430.6861940-1941LP
XBenny Carter & His Orchestra  —  Live At Trianon Ballroom, Southgate, Calif.The Uncollected19441944 - 1945LP
 Benny Carter & His Orchestra  —  The De Luxe RecordingsSwingtimeST 10131946LP
 Benny Goodman  —  "Benny In Brussels"CBSCBS 462957 21958CD
 Benny Goodman Orch.  —  Happy Session Feat. André Previn & Russ FreemanColumbiaCOL 476523 21958CD
 Billie Holiday  —  Control Booth #2Jazz UnlimitedJUCD 20151941/42CD
 Billie Holiday  —  Long Gone BluesColumbiaCOL 474169 21938-41CD
 Billie Holiday  —  The Billie Holiday Story Vol. IiCBS 1935 - 1941LP
 Billie Holiday  —  The Billie Holiday Story Vol. IiiCBSCBS 682301937 - 1939LP

     

Tracks auf denen "Emmett Berry" mitwirkt:
Track-Titel Album erhältlich
 Album
Label  
 Various  —  The Tenor Sax Album The Savoy SessionsSavoyLP
 Various  —  A Jumpin' Jubilee - The Jam Sessions 1945-46Jazz UnlimitedCD
 Various  —  A Jumpin' Jubilee - The Jam Sessions 1945-46Jazz UnlimitedCD
 Various  —  All Star Swing Groups The Savoy SessionsSavoyLP
 Various  —  The Complete Commodore Jazz Recordings Vol.1MosaicLP
 Various  —  The Complete Commodore Jazz Recordings Vol.1MosaicLP
 Various  —  A Jumpin' Jubilee - The Jam Sessions 1945-46Jazz UnlimitedCD
 Buddy Tate - Claude Hopkins  —  Buddy & ClaudePrestigeCD
 Count Basie & His Orchestra  —  Count Basie The Complete Vol.19 1946 & 1950CBSLP
 Count Basie & His Orchestra  —  1947 / 1949 Shay McShann BandRCA VictorLP
 Count Basie & His Orchestra & Anita O'DayJazz ArchivesCD
 Don Byas  —  Savoy Jam PartySavoyLP
 Don Byas  —  Savoy Jam PartySavoyLP
 Red Norvo All Star Sextet Taylor Billy Big Eight  —  The Complete Keynote Collection Vol.9KeynoteLP
 Willie Smith  —  The Complete Keynote Collection Vol.13KeynoteLP